“Well, conditions are quite harsh here. Our recommendation is all of our clients to put everything they’ve got into preserved goods and firearms.” This nugget of sage advice comes from the Brain Gremlin – a scientifically altered, articulate, spectacled member of the slick creature crowd that infests Manhattan’s ultra-modern Clamp Tower skyscraper in filmmaker Joe Dante’s zany follow-up Gremlins 2: The New Batch. At first glance, it’s merely an investment tip from one monster to another. However, oddly enough, it’s also pretty solid existential counsel. Honestly, listen to my reasoning.
When situations deteriorate, the most counterproductive action you can do is view events with undue solemnity. The Brain Gremlin grasps this. In fact, most of the dentally-gifted beasts that populate Dante’s chaotic 1990 feature (debateably his greatest) possess the same wry, meta comic sensibility regarding the blurry line separating everyday life and unadulterated chaos. It’s a particular aspect of Gremlins 2: The New Batch that keeps me coming back – and with the passage of time, it’s the theme that echoes the loudest.
Naturally, my attachment to this movie did not begin on such an introspective level. In my youth, we only had a few well-worn videocassettes at home. Part of that group were Gremlins and its sequel, the latter housed in a chunky ex-rental box almost certainly acquired from an independent video outlet and featuring growling monsters on its worn-out artwork. I was immediately enamoured and these films quickly proceeded lodging themselves inside my young, susceptible psyche. Henceforth, they became an near-everyday part of my youthful watching schedule.
Dante’s original typically gets all the accolades, thanks largely to its legacy as a moderately spooky festive favorite – and to be fair, I’ve watched Gremlins on countless occasions. Nevertheless, its follow-up rarely gets the same level of elevated esteem, which feels unjust. As a kid, I’d always seize the chance to watch Gremlins 2. During sunny school summer breaks, I’d lock myself inside and pop it in. When I got my own TV-VHS combo unit, it remained on repeat in my bedroom. With repetition, it became deeply rooted in my psyche. If my parents detected this preoccupation, they gave no indication of concern.
As I grew, new understandings enriched repeat viewings, heightening the enjoyment of watching small emerald creatures happily vandalize a New York high-rise. I learned the forward-thinking property magnate and Clamp Tower owner, Daniel Clamp (John Glover), was modeled closely on future president Donald Trump, with his red-headed employee Marla (Haviland Morris) echoing his second wife Marla Maples. Luckily, Clamp demonstrates more humanity than his genuine article inspiration.
The “end of civilisation” video Clamp plays during peak-Gremlin chaos? I discovered it was modeled after a actual “Doomsday” video created by the CNN boss Ted Turner should the world truly faced apocalypse. I noticed how Dante went out of his way to film varying versions of a meta sequence where Gremlins seize control of the exact movie you are viewing. A version for theaters, a separate one for tape and broadcast, each providing a grinning portion of fourth-wall-breaking cultural alchemy before the term was even a thing.
While it was makeup maestro Rick Baker’s wonderfully grotesque creatures that drew my gaze as a child, this deeper gold kept me hooked as an adult. Eventually, I even conversed with Dante about it myself and he had no reservations informing me he made the movie with the specific aim of ridiculing those who loved its silly-yet-sincere predecessor and craved further installments. “We were going to make fun of the fact you came to see it,” he gleefully confessed. This Looney Tunes-esque defiance and determination to not take his sequel as gravely as his Warner Bros bosses obviously desired, only increased my affection for it.
When I experienced a unexpected loss in the family recently, I was taken aback to discover that, during my deepest grief, all I felt compelled to do was sit and watch Gremlins 2: The New Batch. Strange, isn’t it? Maybe not. The nostalgic calm it provided was essential to weaken my mind’s sadness sludge – but the perspectives it had bestowed upon me as an adult were equally valuable.
Like Gremlins running amok in a genetics laboratory, there’s particular aspects in life you just are powerless over. Dante is aware of it. The Brain Gremlin knows it too. Sometimes, you have to emulate them: welcome the pandemonium, invest all your resources into tinned provisions and hunting rifles and try not to approach life with excessive gravity.
It’s robust worldly wisdom from a very unlikely source – and it’s the reason Gremlins 2: The New Batch will eternally stand as my comfort movie.
A seasoned mountaineer and travel writer with over a decade of experience exploring remote peaks and sharing practical insights for adventurers.